On making records within records
A major epiphany has taken place, itself the result of a workflow realisation. For a while I have been struggling with the following conundrum: How to know when to stop mixing the samples? As a samplist, I understand whether a source functions effectively in the context of sample-based Hip Hop when I hear it as part of the process, as part of the production layering. When trying to create a phonographic moment outside of this context, albeit...