A blended, yet separate, sonic architecture under the beat…
For some of the recent recordings committed in the fashion described in the previous post (where the DAW multitrack is running in sync to the beat elements—being—programmed on the MPC), I have been capturing source sounds (guitars, keys, bass) with a lot of processing, particularly spatial, but also in the form of colouration acquired from driving tubes hard, or even emulations of amps, preamps and tape recorders. I also involve many...