More on phonographic glue, elements and the whole (part I)
I felt a real craving for beat-making today. After practicing some bluegrass rolls on banjo and fingerpicking on acoustic guitar (because some of the existing/new song ideas will need it), and after playing the latest Westside Gunn (Supreme Clientele, 2018) and Evidence (Weather Or Not, 2018) albums—both receiving best hip-hop albums of the year nods by various rap tastemakers—I guess I felt somewhat (too?) drawn into the experiences of the...